Contact

jayesh.spillai[at]gmail.com

Associate Professor,
IDC School of Design,
IIT Bombay,
Powai, Mumbai,
Maharashtra - 400076, India.

Popular Posts

Manhole

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Compelled by the exigencies of poor economic life and caste-identity, Amitabh, a young law graduate, becomes a manual scavenger. One day, to earn some extra money to support his family, he decides to get inside a large unsafe sewer to clear a blockage. He neither has protective gear, nor the accompanying engineer to check for poisonous gases. Will Amitabh come out safely? Official Website:  manholecollective.com     |    @IMDb:  Manhole (Short 2021) The short film was adjudged as one of the runners-up in the  Unreal Shorts India Program 2021 .  The short film is in  Official Selection at the 61st Annecy International Animation Film Festival, 2022, France ( Link  |  In terview ) Official Selection at the 14th International Documentary and Short Film Festival of Kerala, 2022 ( Link ) Official Selection at the 18th Seoul Independent Animation Film Festival, 2022, South Korea
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Aesthetiography

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Aesthetiography : The Next Milestone in the Confluence of Media Presented at the 18th International Conference of the Society for Philosophy and Technology ISEG, Technical University of Lisbon, Portugal July 4-6, 2013 Theme: Technology in the Age of Information Full Article at HAL Archives :   View PDF Jayesh S. Pillai, Simon Richir and Colin Schmidt Abstract: Art and technology always evolved simultaneously, often inspiring and complimenting each other. This can be observed at every point in the history of media technologies. We suggest that the evolution of media has always been looking forward to an ultimate form of representation of reality that one could experience - a perfect Simulated Reality. Over the years the forms of media have been evolving and improving in order to create stronger perceptual as well as psychological illusions. Today virtual reality and associated technologies help evoke illusion of reality strong enough to make one believe to be
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